ARchiTecture:College of Architecture Faculty Biennial 2009March 26 - May 31On your busy way somewhere else, take a left from the fountain or a right from the Flag Room. You will find yourself in vast galleries surrounded by the visual experiments of 24 artists from the new Visualization Department and the College of Architecture. The advanced digital visualization curriculum of the Visualization Department inspires the work shown by its faculty: Ergun Akleman’s algorithmically-assisted caricatures; Joshua Bienko’s anamorphic self-portrait; photographer Howard Eilers’ studies of Texas skies; Karen Hillier’s multimedia installation based on memory; Bill Jenks plugged in ghost; Carol LaFayette’s stop action videos of spring floods on her land out past the edge of town; light artist Jill Mulholland’s path of glowing dichroic glass; facial animation pioneer Frederic Parke’s prints of images he made two decades ago; photographs of Paolo Piscitelli’s newly-dedicated sculpture on campus; Mary Ciani Saslow’s digital paintings from the series Map Mountain Moon; Glen Vigus’ photographic experiments in depth perception; and Yauger Williams’ (alias Lonysius Dionginus) invitation to fly. From the Department of Architecture comes paintings and drawings, assemblage and collage: large, vivid oil paintings by artist Dick Davison of transitory water reflections and knotted yaupons outside his Brazos River studio window; Brian Dugan’s winged assemblages; Weiling He’s intimate water color confrontations with the Texas horizon; Rodney Hill’s full-scale elevation of his scepter design; the moving protest of Joan and Gerald Maffei’s Katrina collages; Robert Schiffhauer’s portraits from his Torch Bearers series; Phillip Tabb’s elegant pen and inks of mythic beings; and David Woodcock’s expert architectural perspective of Hawaii. Michael Murphy of the Department of Landscape Architecture and Urban Planning shows hatched sketches of the Italy he wants to remember, and Gary Robin of the Center for Housing and Urban Development shows moody or detailed watercolors. Study works intimate and huge; enter darkened chambers; write a comment in the guest book, take a catalogue with you. Come back later with a friend. Entering its ninth year of production, the exhibition is a partnership between the Stark Galleries and the Texas A&M College of Architecture. It is in the galleries through the end of May.
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